THERE WAS A HATCH in the living room floor, one I hadn’t noticed until last night. And there was someone living under the floor whom I could only see when she lifted the hatch to watch me, only to disappear again into the darkness. I want to say it was a younger woman with blonde hair. Her skin, at least, was light. Her eye color could not be discerned in the twilight. She only lifted the hatch, watched my movements, and then closed it when she saw I was watching. I tried to wake my daughter to tell her about the woman living in the cellar and the heretofore undiscovered wooden hatch in our home, but when I went to rouse her, something strange happened. My father was in her bed instead, wearing an old-fashioned knit cap. “What is it?” he said. “Dad! What are you doing here?” “Oh,” he yawned. “I just came in here to get some sleep.” “Dad, there’s a hatch in the living room. A young woman is living under the floor.” “Oh her? She’s always been there. Now, please, boy, let me get some sleep. We can talk about her in the morning.” I walked back into the living room and saw her rather pretty face from underneath the hatch. Then she shut it and retreated back away into her hiding place.
FISH’S WEEK NOW WENT LIKE THIS. Monday’s were spent at the Tallinn Viimsi Spa, followed by a Tuesday residence at Laulasmaa. Wednesday was his Tartu day. He would take his lunch in the atrium at the Kvartal Spa on the top floor of the department store complex, with scheduled appearances in the Finnish sauna and Russian banya at 2 pm and 3 pm, respectively.
Thursday was a day Fish spent on the road, with an afternoon lunch in Suure-Jaani, then an evening alternating guest slot at some of the lesser-favored Pärnu bath houses (the Estonia Spa was his favorite Thursday night haunt, but he sometimes would spend time at Terviseparadiis — the Health Paradise — just to curry favor with the ownership). Most of Friday too was occupied by Pärnu slots, Hedon and others, and then he would helicopter out to Saaremaa for an evening massage at the Grand Rose. This was covered extensively in the local media, and Fish was even offered his own guest column in Oma Saar newspaper.
By Saturday, Fish was in Haapsalu being bathed in hot mud at Spa Hotel Laine. Sundays he took quietly in downtown Tallinn Water World and Spa. It was a tight schedule, and friends remarked on his new ruddy, broiled complexion. Fish had many girlfriends in each of the spas who came to depend on his regularity, and there were many social media posts that featured the handsome, dark-haired man waving, engulfed by adoring blondes.
For whatever reason, I had remained unaware of Fish’s new gig as a regular on the spa circuit, a new concept cooked up by an Estonian creative marketing team called the “spa celebrity.” As far as I knew, he was still working as a tour guide in Vienna, showing tourists around the haunts of Sigmund Freud, Leon Trotsky, Adolf Hitler, and other great men. Each tour would end with an evening at a beer hall and complimentary baskets of pretzels. He led an abstemious lifestyle, and shared a small apartment in the Favoriten District with a local accordionist. Yet he took readily to his glut career as a celebrity spa guest. He became so full of himself that he forget to tell me that he had moved to Estonia. Disappointed in Fish I was, you might say, yet so intrigued.
It was there, visiting Fish during an appearance in Pärnu, that I noticed that the Windy One had returned to work as a physical therapist. There she was with her chocolate hair, full lips, oblivious as always to my love and presence. She just stood there quietly in the corner, folding some white towels, dressed in the light blue shirt of the spa staff. It seemed somehow appropriate that I would encounter this particularly intangible soulmate in some hidden floor of some forgotten spa while visiting someone as otherworldly as our Fish.
The Windy One did not want to see me. She did not want to talk to me. She ignored me, wanted nothing of me. Yet I said nothing as I took her hand and pressed it into mind, and then we kissed each other and the love channels were reopened. “There, see,” I told her. “Now everything can breathe. Now we can begin again.” The Windy One nodded and went back to folding her towels. When I returned to the foaming hot baths with Fish, a surfeit of Pärnu lasses was clinking cocktails around us. Fish said I had changed.
“It’s you, old buddy!” he gripped me by the shoulders. “You’re back! Where have you been these years?”
“I just went to get a fresh towel,” I said.
“Good times, man. Good times!”
I furnished a waterproof dictaphone and began. “How does one become an Estonian spa celebrity? Start with your childhood. Were you always drawn to spas?” And on it went.
EVELYN WAUGH wrote a good novel, this is his first from 1928, and I especially enjoyed the first book within (there are three “books” or sections). His strength is dialogue and capturing the voices of his characters via dialogue. If the whole book had consisted of these lengthy dialogues, it would have been much the stronger. His descriptive writing can be grand, if restrained, but it’s more difficult to read on and on about, say, the house King’s Thursday, when really what we want is the dialogue between Peter and Paul, or Paul and Margot. Also, like Scott Fitzgerald in Tender is the Night (1934), he picks up the tempo toward the end, and introduces some forgettable characters into rather forced and forgettable scenes that could have been left out or minimally recognized. How many characters can we grapple with then? Who was who, what, and when? All together, I enjoyed The Ordeal of Gilbert Pinfold a bit more, but I will in no way say I did not enjoy nor learn from Decline and Fall. I was relieved to learn that Waugh actually did teach at a school in North Wales, and this was all not just the workings of his imagination, but rather a satire on his real life.
FAVORITE QUOTE: “Anyone who has been to an English public school feels comparatively at home in prison. It’s the people brought up in the gay intimacy of the slums who find prison so soul destroying.”
RUSSIANS ON MY MIND, some were passing through Viljandi Town, tourists perhaps. Russians are so different. They are not like Estonians. They look at you on the street, they might even make eye contact or acknowledge your presence in some other way. They might even make a little joke. We share this same plane of existence. How refreshing! The Russians don’t need to invade, they’re already everywhere. Yet the Russians are stuck in the 1950s. Hopelessly stuck. The men still have those short haircuts, the leather jackets, the spotless jeans. The women wear generous helpings of makeup, their hair is blond and frosted. They look like they should be on Happy Days. They are heading to a sock hop. The great Russian sock hop. Comrade Buddy Hollyvitch will be playing, “That’ll Be the Day (When Stalin Dies).” Later, I came home and I noticed my room had been ransacked. All my journals had been rummaged through, and someone had written over my thoughts in blue ink, so that it now read, “When the US humiliated Russia by allowing the Baltics into NATO,” here, or, “And that’s why Putin is such a strong resolute leader,” there. Strange, these NKVD KGB FSB ramblings inserted into my journals. Trying to get inside me, inside my mind, inside my inner monologue. Trying. I asked my daughter if someone she didn’t know had stopped by the house. Indeed, someone had. “You mean that strange man in the leather jacket who was smoking?” The smoking man. He fit the description. “He said his name was Dmitri,” she said. Of course, I thought. It had to be Dmitri. Dmitri, Dmitri. Who else could it be?
LATE FOR A BOOK EVENT in Tallinn, the big moment set to start at 8 pm but it was already 7, and there was no way to get there on time, by train or automobile, so I just didn’t show, nor did I inform them I wasn’t coming. Instead, I paced the corridor of my home, a ramshackle shanty house in a cold northern town, a frosty, eerie, tight little space, like that middle floor in Being John Malkovich, where one could hear the crackle of wood furnaces. My neighbors were in the hall too, Freja and Josefine, ladies reminiscent of HC Andersen’s 19th century Copenhagen grimy backstreets, floating in and out, so shapely in their old-fashioned dress, gesturing emotively, and talking as if I was there and not there, an audience but not a participant to their lament. I went down the stairs, stepped outside, and was at last in the open, now a deserted ranch in the mountains, an old cowboy film set like the Spahn Ranch in Los Angeles, except I was the only person there and it was snowing. I liked it there at the Spahn Ranch. It was peaceful, truly calm, cold, crisp and quiet. Nobody could bother me there now, not the Danish girls, not the event organizers, and at last nobody knew where I was. I imagined all those disappointed people at the book event in Tallinn, and how they were messaging me and calling me in a digital frenzy, and “How come he doesn’t respond! See pole normaalne! It’s just not normal!” Yet it was just so peaceful at wintry Christmassy wonderful Spahn Ranch, and Charlie Manson was nowhere to be found. Eventually I did return to civilization, sat down in some vacant highway diner, ordered an omelet and some coffee, took a deep breath, and looked around. What a strange night. Sueiro of all people came walking in, but it was high school Sueiro, with the chunky hair, converse, you know, looking like Chris Cornell. I was afraid he was going to lecture me about missing the book event, but instead he told me it was cancelled on account of Covid-19. There had been no event. Imagine that. All that stress for nothing!
TALLINN IN SPRING. Pigeons, sunshine, spring birds, even audible at the Baltic Station Market. I find myself seated at a small table within uncomfortable reach of others. There is this feeling that every person you pass, every person you see, every displacement of air, every surface you touch might or could be infected with the virus. The water at the port is pure blue, the Old Town is mostly empty but for some shadows and construction. Yet the Baltic Station Market is still alive with young mothers pushing carriages. Now and then a pretty something will flicker in and out of my peripheral vision. It is not I whom she seeks here. She is looking for a solid man, a regimented man, a man who is fit to breed. He must have a steady job, a decent wage, and be stable of mood and inclination. This is the man she seeks. Then she too can join the mothers at the Baltic Station Market. Then she too can feel the heft of Italian oranges in her palms. This man here is working on surrealistic fiction in a medium-sized handmade journal. On his maiden voyage to this land he was more or less engrossed in doing the same. There are even photos of it. Only a fool — a hull, as the Estonians say — would have children with such a man as this. Only a fool did, three times in fact. The eldest had her first glimpses of the world just around the corner from here in an attic apartment on Valgevase or Brass Street at the dawn of the century. In the evenings she now watches Japanese films with her sister and they comment on the male characters they find most appealing. I try not to pay attention. She has been pushing my buttons lately, trying to see how little it will take to shake daddy up. Maybe if she calls him this or that there will be another scene. I have shifted and assessed different strategies. First, a hard reaction, then a softer, more tolerant one. I had read somewhere once that what women most craved of all things was a man’s steady and unfaltering presence. That only by removing your presence from their lives would they take note of your absence and then, perhaps, reappraise your true worth. So when these button-pushing moments occur, I have often left and moved on to other things. What else can you do? Yet another article I read said this is the worst thing one could do. You should withstand these trivial arrows; this allows the child to feel she is safe in her obnoxiousness. In actuality, these outbursts are just mechanisms for her to test her safety. That was at least what another article said. I’m living things day to day, reflecting on strategy. Local ladies in fine hats are pushing carriages and they are talking about things. My story has gone nowhere. The other day, the girls were watching a show and I happened to pay attention to one of the actresses. “She looks nice,” I said, “but her butt is a bit too small for me.” “How can a woman’s butt be too small?” my daughter asked. “It was a joke,” I said. “A joke.” “You are objectifying women.” “You objectify men here all day long. You do the same thing.” “That’s different.” Maybe it is different. Maybe the best strategy is to just say nothing.
BAND REHEARSAL did not go well, especially because of the lockdown, and I consoled myself with a pot of soup in the hotel lobby that, to my surprise, had a remnant of a human hand in it, complete with hairy knuckles and fingernails. I glanced at the description of the soup on the wall and saw it was marked ‘H’ for human. I spit out the soup and furiously searched my memories. Had I ever had Hand Soup before? I hoped that I hadn’t but I couldn’t be sure. Wasn’t this cannibalism? How were they okay with this? It seemed like a decent hotel. Why was human on the menu? Was the COVID economy really so bad? After the rehearsal, most of the other musicians walked to town. Even though the country was locked down, there was still more to do in Oslo than just sit around in a hotel. There were parks to linger in, for instance, and store fronts to inspect. Still, it was rainy and bleak, and one could only imagine the onset of existential angst that would occur when faced with shuttered up Norwegian bakeries and bistros. I left the hotel anyway, decided to stroll around Oslo. From the port I took a ship for warmer waters, and not too long after, I felt the sun on my face in the Albemarle Sound of North Carolina. We came along the swampy coast past the Alligator River and passed under the fort left by those first colonists at Roanoke Island. The Swedish Chef was with me, and I wanted to introduce him to my friend Graham, the Hatteras Indian, who still lives in these parts in the vicinity of old Indian Town. Graham met us and invited us out to dinner at a fine restaurant, and we dined beneath the portico. From our table, we could see pirate ships moored in the harbor. Not much had changed on Hatteras in the past few centuries, Graham had said, pouring us some fine Carolina red. He had his hair braided in the traditional fashion and later took us along the shore to inspect the pirate vessels. At dessert, Chacha, a Kashmiri socialist agitator whom I had known in college, also joined us for cake and politics. He inquired how I knew Graham the Indian, and Graham furnished a photo from some party in the mountains in my school years. I had no recollection of this party, but there he was, younger, with his braids, and there I was with my turtleneck. On the back of the photo was written, “West Virginia, winter ’94.” The whole thing was so puzzling, plus the fact that both Chacha and the Swedish Chef were also in the photo. What had we all been doing partying in West Virginia in 1994? How did I not remember any of this? It just made no sense.
I DROPPED MY ELDEST off at the airport where, after some difficult situations, she boarded a flight that would take her back to New York via Tehran, the only connection we could find at this time. Then it was down to the port to board a Helsinki-bound ship, a floating hotel of sorts, with a gray-painted clapboard façade, hanging gardens, and networks of stairs within that reminded one of the dark tunnels within the unearthed pyramids of Egypt. Up these stairs into the light, and to the top deck to watch the roll of the waves from Tallinn to Helsinki and the first glimpses of the rocky coastal archipelagos. The Estonian coast is, aside from some bluffs, long and sandy and lined with pines, but the Finnish coast reaches out with fists full of heavy rocks until one soon sees the gray and white dome of the cathedral. I was on a mission of sorts, and there were strange fellows on this ship. I had been trained beforehand by an Indian man from somewhere on the subcontinent who wore a neon yellow jacket, entrusted with a box to store the pirated goods, and even taught a special way of sealing the gems in place, so that it would be assured they had not been tampered with. At sunrise, all of these men from the East began to worship on the deck of the ship, but I refused to bow to the sun, or their gods, a decision that was met with stern stares and general disapproval. The yellow-jacketed man excoriated me in front of the others — “you fucking asshole” were his words — but I still refused to pray to the sun god. When we disembarked, I lost the others in a crowd. Helsinki was warm and summery and the Esplanaadi was thick and fragrant with new gardens and flowers. I took a taxi and to my surprise found myself seated beside some Italian actress, a dead ringer for a young Claudia Cardinale. She wore that blue sweater again and there was buzz in the air of some looming romantic deed. It felt good to be Helsinki though, I must tell you. It felt good to be anywhere.
AN EARLY BERGMAN FILM. I enjoyed it. I enjoyed the scenes of postwar Stockholm, the smoky, grimy streets, the primitive eateries, cramped apartments. Working-class Sweden. And I enjoyed the archipelago, and the summery feelings of young love. And I especially enjoyed the “after,” after the summer, what happens to the young lovers who elope and breed. How Harry tries to be a good father, but it’s all too drab and boring for Monika, who wants excitement and affection and attention, and eventually deserts him and their young daughter. One thing it made me yearn for was a world without technology. A world where one just meets someone at a café, goes to a movie, kisses on a city bench, runs away and few seem to notice. Nothing is vibrating, chirping, there are no misread-unread messages or misinterpreted yellow smiling faces. That world I wish I was still in and long to get back inside of.
SOMETIME IN THE WINTER, I took a ride out to the woods outside of town. This patch of forest is nothing spectacular, some trails rising and falling, a waterfall in the middle. I almost never see people in these backwoods trails, though now and then there is a white van parked there on the outskirts, which I am sure is used for disposing of dead bodies or doing countryside dope deals. It seems like that kind of place. I went out there to get a woman out of my mind, of course. For days she had been pounding in my head like a furious migraine, and it seemed I could do nothing to rid myself of her spirit. No consultations with a bevy of psychologists, healers, and tarot card readers could alleviate the spell. I wanted her and I wanted her bad and I hated her for how badly I wanted her, and I hated her for making me want her when she was nowhere to be found, invisible to me, and maybe even oblivious to my aching want for her. Of course, I didn’t hate her though. I loved her, if such desire could be called love. The hatred or frustration was actually for myself, the aspect of myself that couldn’t be suppressed or controlled. The part of myself that belonged to her. That part of me that she knew she possessed. There I was, lost in the woods, looking for solutions that couldn’t be found, looking for an escape, a way out. It was inescapable though. With a look, she could make me lift heavy objects, loan her money, give her rides, and — most dangerously — significantly increase the Estonian population. One cannot underestimate the life force that flows through the male body when aroused. It is this energy that led men to erect the pyramids in the sands of Ancient Egypt, or to board ships to circle the globe. The same otherworldly force that makes the waves roll or the heavenly bodies spin. We are at its mercy. So why are we always told that we have a choice? Or, even worse, that we create our own realities. Nonsense. There is give and take, but you can’t really expect me to believe that when a woman’s spirit starts to incubate within your heart that you have a choice. The most infuriating aspect is that many women are aware of the control and sway they have over their men. They know they are inside before we even wake up to this new dawn. They know they have us dancing on their fingertips. They revere and worship the strong man, who doesn’t give up so easily, but only because he has not given them what they want just yet and, oh, how they want it. “Women maintain a variety of energetic connections,” one of these faith healers admitted to me. “They know when someone is close, and they know when someone is far. They can sense it.” They do. How many men haven’t experienced a situation when, shortly after a breakup, while meeting with some new interest, suddenly their phones start to vibrate and ring, because their former partner senses — somehow, miraculously — that their man is slipping away. Even more curious are the cases of the women who leave their men and take on new lovers, but keep the old partner around just in case he is needed to screw in a lightbulb or fix a broken appliance. It is not so much about love, is it? It’s about some kind of intangible telepathic control. Which is not to demonize women or make them out to be manipulative. Not at all, I say. I think it’s just the way things happen, and they are probably just as much at the mercy of their own gravitational forces as we are. They can’t control the men they pull, either but, for whatever reason, they keep on pulling them in like fish. Why do they always pull certain men, while those they desire remain beyond their reach? There are no easy answers, but I continue to study these things out of curiosity. In my study of blues music and folklore, I learned that in the Deep South long ago, Black and Indian women used to carry pouches around their waists that would dangle near their genitals. Into these sacks — called nation sacks, for the Indian nations that wore them — they would have keepsakes of the men they wanted to control — a lock of hair, or some personal item like a ring or coin. This is how they kept their men under their influence. It occurred to me in the woods that day that there were probably multiple women out there walking the land who were carrying pieces of my soul in such little charmed bags. Yet I decided not to resist in the end if only because it was exhausting. Maybe being possessed isn’t worth the fight. It’s better and easier to surrender. And sometimes, you must admit, it does feel wonderful to be possessed.
An Estonian version of this column appears in the April 2021 issue of Anne ja Stiil.